In the last installment of HeartWood, I wrote about some of the ways I've been filling my unexpected free time during the weeks of social distancing and Stay Home - Stay Safe. In this installment, I'm giving other folks a chance to share what they've been doing. And what a variety of things they've come up with!

Check them out!

​I've been puttering around with a few drawings and one of Eldon eating soup.

We have been watching too much TV, Netflix and Amazon Prime.  Also, managing to work out at least three times a week. ​

And we're enjoying housebound happy  hours with the help of our new margarita maker!

​I have joyfully been working in my garden (look how big the garlic is already!) and last week canned a couple gallons of maple syrup. Keeping very busy around here even though my regular artsy muse took off for parts unknown.

Last Tuesday was a special Covid day. I got to hang out 2 loads of wash and get out the very quiet weed whip and head down to the river for some enjoyable work. I also got the clippers out and cut the grasses out of the iris bed.

Many games of Scrabble have been going on in our house, and each night now we seem to gravitate to The Newshour on PBS. Making a call to a friend or family member is an almost daily event. Meditation is becoming a regular part of my day and I hope it continues.

When I'm not patrolling the area in my role as self-appointed neighborhood watchman, I've been spending time in my workshop. My latest project is making hand-turned bottle stoppers.

I also created a fairy fire station for Camp Newaygo's Virtual Enchanted Forest event last month.

And like Cindi and Dale, we're enjoying home-centered happy hours, too.

​One thing I spent too much time on was adapting my (famous) lecture on the Beatles for an online popular music class at the University of Washington using Zoom - weird not to be able to engage directly with the students. Also, I gave blood.

​After initial quarantine tasks such as cleaning out drawers and closets, the promise of birth, growth and renewal overcame the need for order. We talk everyday: me and these little giving friends who awaken like babes from a nap. They give me hope.

And every morning I take a barefoot walk into my "woods" - about a dozen trees at the end of our drive - to see how my shady native plants are faring.

Stay home and stay safe was a gift in some ways. My gardens have never been so well tended. Really enjoyed knowing the plants are going to good homes.

The most beneficial thing (much better than vacuuming, which I have not done) has been the free Coursera from Yale called "The Science of Well-Being." It's really about what makes us truly happy and how to get there. Spoiler alert: it's not what our culture tells us.
 
Also, these days it's a bit disconcerting to see the non-virtual students sitting close to each other and hear them coughing!  (Has anyone else been yelling at their tv screens? It can be the most innocuous old sitcom and I'm all, "Don't shake hands! OMG, now you're hugging each other! OMG, OMG, OMG!" I'm better at this now, but it was rough for a while there.)
 
I have been knitting up a storm - charity knitting, mostly with "legacy" yarn I inherited from a friend's stash. I also made miles and miles of chain stitch cord and mailed it off to a friend who is converting her fabric stash into face masks she's giving away. (She and housemate totally ran out of elastic, old t-shirts and potholder loops. Their dining room is like a small factory.)
 
I think doing things for others is especially good just now, though it was more than sobering to consider that the hats, sweaters, and ponchos I was making for the Navajo school kids might . . . well, you know.
 
I dusted off my elderly Kindle and learned that, with a newer software download, it is Way Less Annoying. I've read and read and read!
 
I have been going through my DVD collection and Watching All The Bonus Features. The directors' commentaries for Bend It Like Beckham, Seabiscuit, and Monsoon Wedding were almost better than the films.
 
This last one might seem counterintuitive.
 
It started when a Facebook friend (a friend of friends in real life, one of the few FB friends I've not met) shared a post from the Holocaust and Humanity Center in Cincinnati. They were having a virtual book club. First up was Elie Wiesel's Night, which I had never had the courage to read by myself. Being part of a group was helpful. The next book was Anne Frank's diary, which I had read, so I fired up the Kindle and read Francine Prose's book about the book and its author. Wow! I learned all kinds of stuff.
 
I also learned how much I swear when figuring out the arcane magic tricks of the multiple websites required to borrow e-books not owned by my library.
 
I did not, however, curse during any of my several calls to the library staff who helped me gain access. I think one of them wanted to, though; that episode was something goofy in the library's circ software.
 
It was all worth it in the end, though, AND WHAT ELSE DID I HAVE TO DO? A jigsaw puzzle of Easter eggs, shaped like an egg. Also coloring, knitting, and - OK! - vacuuming, like that's gonna happen.

This organization, the Holocaust and Humanity Center, offers all kinds of online sessions. There's one later this week about preserving your family artifacts: photos and other things. (They have a website and multiple FB pages.)

AND, because I attended a bunch of those, I got invited to a series of Holocaust survivor presentations from a community college in New Jersey that is absolutely inspiring. They tell the tale, but the focus is on resilience.  
 
Also MSU Extension "Cabin Fever" presentations. The most hilarious thing there is that I forwarded the follow-up email with its many citations to a cousin, who replied, "I was 'there' too!"  
 
And the mourning dove chicks on the front porch have flown the coop. Stupid birds! But I did learn that just before they fledge, a normal human being will be convinced that their no good rotten birdbrain parents have abandoned them. That was good to know, because it was gonna be one Huge Moral Dilemma whether I fed those things or not. Last I saw them, they (two of them) were standing up in the flower pot under the porch light and looking like it was time to steal the car keys and light out for the Dairy Queen.
 
WHAT WOULD WE BE WITHOUT THE INTERNET IN ALL OF THIS? Mostly insane. I might even be vacuuming.
 
Another thing I have done is re-read Salinger's story "For Esme - with love and squalor" or whatever it's called. The whole thing is online as a pdf.
 
It has come up in multiple conversations (because I MAKE IT), because I firmly believe that the ONLY thing that we must do during this time is "survive with our faculties intact." Job One, right there.  ​

​Even in this strange and uncertain time, we can find reasons to celebrate. Two big reasons come to mind this month.

​April is National Poetry Month, and if ever there was a time to read poetry, it’s now, when many of us have extra reading time and are looking to fill our minds with something other than dire news reports.

​​This month also brings the 50th anniversary of the first Earth Day next Wednesday, April 22. Though the mass celebrations that had been planned will no longer be possible, we can still commemorate the day.

Combining these two celebrations, National Poetry Month and Earth Day, I asked local (and not-so-local) poets to contribute Earth Day poems to today’s blog. I’m happy to share those with you now, along with the collage I created for the occasion.

As I worked on the collage, I went back and forth in my mind about whether to portray the vision of a healthy Earth that many of us had on the first Earth Day in 1970 or the reality of Earth in 2020. In the end, I opted for the more hopeful vision, because I want to believe there's still hope. 

​Once the piece was done, however, I noticed it's darker than most of my other collages (many of which are now posted on the COLLAGES page on my website). Perhaps in the end, my Earth Day collage reflects both hope and concern, themes you'll find in the poems below.

And now, poetry.

The way the sun drips through the trees
feels like the tart sting of oranges
sliced through on a cold winter morning
the shadows sway on uneven stilts 
purposeful but perhaps a bit drunk
hawks flying through the thin mist
 
we did not come here to talk
but to recall bloodlines and bruises
to watch the ache of God's wounded finger
find its solace in the sky
we came to watch the forest settle
shivering around an old circle of coals
 
To pull new yarn out of old wool
to re-dye the worn, faded blue
to an unspoken, holy red
to choose new stones to throw
into the solitude of the lake
to settle into the night
and watch the fireflies shiver and shake

​I struggle to recall the words of those long-ago incantations,
but I can still feel the sun, and the sand spray of those of us
 
who ran down to the continent’s edge to shout wild oaths
and promises, twisted and torn from the wind itself.
 
Hoping for what exactly? I don’t recall. A certain slant of light,
or a feeling of home on the sun and sea-blasted turf?
 
It all looks so weathered now in a way that has grown familiar;
the landscape possesses the face that it has earned.
 
Not searching for monuments, though open to any eventuality,
I remember us, suddenly, as pleased and shy as deer in fields of spring,
 
not as tail-less, lumbering animals, growling and sniffing
for the bones we had buried and lost.
 
Ferns sprout large and primordial where none had grown
in the shaded region above the tides.
 
The sea has crept in closer; it has taken on an ancient aspect.
 
Through broken teeth I whisper a few broken words
and listen for those long-ago incantations.
 
Our footprints left a faint impression of our lives,
but the wind has carried the songs away to the sea.

 
* First published in Blueline: June 2011, Volume 32
Collected in Wanderings at Deadline (Aldrich Press, 2012)

Ninendaan gaawiin waa-babaamendanzimowaad
I think they will not mind that
 
wiikaa bi-dagoshinaan.
I arrive late.
 
Gijiigijigaaneshiiyag gii-giimoodaanagidoowag noopiming
The chickadees were mumbling in the bushes
 
besho naadazina’iganing.
by the box where I get mail.
 
Andawendaanaawaa Manaadendamaazowin
They needed an Honor Song
 
mii wenji-nagamotawagwaa
so I sang to them
 
nisidawenmangwaa miinawaa
because we understand them again
 
ezhi-manaadenimangwaa ingiw wiidokawiyangidwaa
the way we respect those who keep us company
 
gabe biboon
all winter.
 
Gaawiin da-giizhokoniyesiiwag misawa
They do not need to dress warm and yet
 
giizhokawiyangidwaa gidode’iminaaning.
they warm our hearts.

I am Soulofhawk come to sing my song – may your ears and heart be opened.

I stumble in this foreign tongue and try to make the talk
I speak of when this land was young, and of my brother hawk
My spirit voice is hard to hear, I have so long been gone
But I will whisper in your ear, and having spoke, move on

This finger pushed into the sea of sand and swamp and pine
Has been a welcome home to me – I sing this land of mine . .. . 
Of night song sung in joyous trill by every kind of fowl . . . 
Of chickadee and whippoorwill . . . of warning from the owl . . . 

Of plenty fish and wild oats . . . of berries blue and red
That danced their way down happy throats to bellies always fed . . .
Of rivers coursing through green world of gleaming golden lake . . .
Of alligator, hog and squirrel . . . of moccasin the snake . . .
​
The screaming panther ruled the pine, the eagle ruled the sky –
Oh, will you hear these words of mine? Will you even try?
I have no words on talking leaves for you to read, my friend
For all this simple man believed was written on the wind.

​While we bow our heads to the ground
and our hearts seek meaning among the stars,
wild creatures assert their presence
in the here and now
and the just here and gone.
 
Unknowable in the way one speaks
of the alien and other-worldly,
the title to their kingdom is forged
in their absolute
manifestation of the flesh.
 
If this seems ironic and abstract,
then so be it.
 
For irony and abstraction
are our great gifts--
not to the world, but to ourselves--
invented for our survival.
 
And we, of course, are the real aliens;
Each a world unto one’s own,
orbiting a sun of its own devising.

 
* First published in Sixfold, July 1, 2013, Summer 2013
Collected in Jeremiad Johnson (In Case of Emergency Press, 2019)

Listen!
          Do you hear her – Our Great Mother?
                      In this moment, in time - a reprieve -
                      when all human activity
                      has slowed to bare bones minimum,
                      She inhales an expanse of cleaner air.
                      Exhales a wasteland of toxins.
 
          Do you hear her – Our Great Mother?
                      She weeps for us, her children – All
                      Residents, two-legged and four,
                      winged, finned and serpentine. We
                      share the same earth, sea and air.
                      We, the two-legged ones, hold
                      the choices in concert with Our Mother.
                      Even as forces seem out of control, and
                      the playing field remains unequal.
 
          Do you feel her – Our Great Mother?
                      She shudders as the sludge venoms
                      from Frack wells, the vast desolation
                      from wildfires, and endless wars’ ravages
                      do a rival dance with the C-virus.
 
          I wonder about this massive
                      Blue Marble in our universe. The
                      one we call home. Our Mother. 
                      There’s nowhere else to go.  We cannot
                      just walk off or fly away.
 
          I wonder, if I were an astronaut, or
                      could hitch a satellite ride, how - in this
                      Pandemic blink of time –would
                      Our Mother, our home - look?
                      Would her greens be greener, her blues
                      be bluer,  her storms less turbulent,
                      her mass free from veils of smog?
 
          Like a cataclysm, would I see
                      a rotating orb, vibrating
                      glimmers of brighter, kinder energy?
                      Perhaps violet or white? Would
                      I know – would we all know- we’ve
                      begun to exercise our choices for love?
 

Control and fear became our story
Addiction lies between the lines
And love was lost to pride and glory
This ego virus made us blind
 
Your mother's dying by your hands
But you won't listen
Her blood is all over your hands
Will you listen
 
The soul was lost beyond the shadows
The fog will choke us into dust
Collective conscience chose the gallows
The time of man will turn the dust
 
Your mother's dying by your hands
You won't listen
Her blood is all over your hands
Will you listen 

​I hear it in the river.
I see it in the buds of the maple.
I hear it in the sounds of the red wing black bird.
 
Inquisitive cat so happy to be playing outside
Warm breeze on the back of my neck
 
I see it in the new bright yellow feathers of the gold finch.
I hear it in a distant barking dog.
 
Ever grateful to be walking this Earth mother experiencing my spring soul

​Once the land was green
And the buffalo could roam
The rivers clear and clean
Washed by our simple homes
And all turned in the wheel
And the sacred song was sung
To teach us what was real
And the earth stayed young
Once a man would take
No more than he could use
Set bones back in the lake
When a meal of fish was through
And all turned in the wheel
And the sacred song was sung
To teach us what was real
And the earth stayed young
     
Once the earth was young
And men saw with their hearts
That everything was one
And man was but a part
And all turned in the wheel
And the sacred song was sung
To teach us what was real
And the earth stayed young
Now the earth is old
The buffalo are gone
The rivers have been sold
And man stands all alone
Let all turn in the wheel
And sing the sacred song
To teach us what is real
So the earth stays young

​You can't eat the money
That you've all been praying on
That God has only destroyed you
And you can't drink the oil 
You've been pulling out of the ground
Your momma's shaken and torn . . . fool
 
Do you know what you are
And what you're here for
When it all comes crashing down
What have we learned
 
Distractions have kept you
From what's really going on
Keeping you away from your mother
Her life source you could tap into
Can heal that broken bond
Yes, you can get there inside you
 
Do you know what you are
And what you're here for
When it comes crashing all down
What have we learned

​There is a sudden authority to nightfall
in the flight of a heron, and to the surrounding
darkness where countless feed.
 
But so much that is unattainable, so much
that lies beyond the sovereign dark, rises up
out of the pale blue season of twilight
 
like fireflies summoning among the trees
as the moon loses her translucent and ghostly pallor
in the evening’s first clear and troubling dreams.
 
***
 
Toward daylight, the deer rise up
from among the flattened grasses
and low-lying hummocks,
 
emerging in the cool of morning
from indiscernible swales
and cedar swamps,
 
wary and shy, but alive with owning
at least a part of this
pale blue season of wildflowers.

Summer came, and summer went, and just after Labor Day, Ray and I looked at each other and said, "Hey, we forgot to take a vacation."

Well, we didn't exactly forget. We just, you know, had stuff to do. So much stuff we thought, Get away? Oh, we couldn't possibly!

But have you noticed? Whenever you find yourself thinking, I couldn't possibly, that's exactly when you really, really need to.

So in spite of to-do lists, appointments, and other obligations, we found a stretch of blank spaces on our calendars, booked a campsite at Tahquamenon Falls State Park in Michigan's Upper Peninsula, packed up the RV, and headed north.

For six days, we hiked on wooded trails, cooked on the grill, took photos, read books, and drank Alaskan Amber by the campfire. Wait, you're saying, aren't those all things you can do at home in Newaygo? 

Right you are. We can do all those things at home, and often do. The difference was, for those six days in the U.P., there was nothing else to do. No phone, no internet, no domestic duties, no book launch details to attend to. Plus, views of rushing rapids and cascading waterfalls.

As a result, we truly relaxed for the first time in months, so deeply we couldn't even remember what we'd be obsessing about if we weren't too relaxed to obsess.

Of course, once we were back home, it took about a millisecond for realities and responsibilities to assert themselves. But somehow, even two weeks later, some of that getaway serenity has stayed with me. I'm back in to-do mode, but with a mellower mindset. And when I start to drift back into frenzy, all I have to do is look at photos from the trip to reset my calm-down button.

Care to join me?

​What with summer activities and chores and the myriad details associated with the launch of my memoir Mango Rash, I confess I haven’t been doing much new writing lately. I was inspired to make an exception, though, when I received a compelling request earlier in the summer from one of my favorite Michigan authors, Anne-Marie Oomen.

​She was appealing to writers in her circle to join in an undertaking she called the Lake-love Letters Project. The idea was simple: write a love letter—no more than 400 words—to the Great Lakes or a specific lake. Not a huge investment of time and energy, but an important one, as Anne-Marie’s cover letter made clear.

It began:
​ 
I love our waters: lakes, rivers, wetlands, little sinking ponds, remote swamps. If it’s wet, I’ll probably like it.  And of course, I’m worried about all of them, as I know many of you are.  I often wonder what I can do.  I’m not a scientist, politician, lawyer, not even a very good journalist.  I often feel inadequate, a “fish out of water” when it comes to this work. This year, a question I asked myself: how might I use my small gifts a literary artist (creative writer) to do something for our beloved waters.

​She went on to relate that just as she was considering how she might make a difference, she received a letter from Liz Kirkwood, director of the regional water organization For Love of Water (FLOW). The letter explained that in July, the International Joint Commission of the Great Lakes would meet in Traverse City. Liz wanted to enliven what might otherwise be a dry discussion (subject matter notwithstanding) by involving artists who are passionate about our water.

As Anne-Marie described it in her letter,
 
She had a vision: at the final meeting with the commissioners, could we showcase our love of water in a way that would involve the arts, particularly the writers. She spoke of the arts as one heart behind all the science and legal work. I was so grateful for her rare understanding. And she offered an idea that I could run with. Could we writers and artists do something with love letters to our waters. Love letters? Yes! 

​I usually take my time responding to requests that ask me to write, edit, or critique something. I like to consider what else is on my to-do-list and how interested I am in adding to that ever-expanding list. This time I didn’t hesitate. As soon as I found a sliver of writing time, I drafted my love letter. After a few revisions, I sent it off to Anne-Marie.
 
Here’s what I wrote:

Dear Lake Michigan,
 
You’re not like the others—the ones I grew up with. In that flat and dusty land, those pretenders to the title were ­­­­mere puddles. Knowing no better, we suited up, dived in, toweled off, sat on shore with sandwiches, staring out across their dense, red-silted expanses, thinking, “Well, this is nice.”

You, too, carry burdens, I realized in that moment. And also this: I may have loved you since we first met, but I haven’t really known you. Let me know you now.
 
Love,
Nan

​Just before the commission meeting, Anne-Marie reported that nearly 100 letters submitted to the project would be presented in book form to each of the commissioners. In addition, she extracted sentences from some letters and shaped them into a ten-minute script to be read as part of the presentation to the commission. “Your words made a beautiful praise song to the lakes—thank you!” she wrote to contributors.

​So often, writing feels like a solitary, inwardly-directed pursuit. It was gratifying to take part in this project, and it made me think about other ways I might merge my passion for writing with the issues I care about. 

​How can you apply your talents to something you care about? 

This is what spring looked like at my house a few days ago. Not exactly picking-posies weather. But I do believe it's coming . . . eventually.

Until then, let's enjoy a few reminders of what spring should​ look like.

What are your favorite signs of spring?

It's a busy time of year, wouldn't you agree? You've got places to go, people to see. I've got stuff to do. So instead of burdening you with blather, I'm making my holiday gift to you a visual one. Today I'm sharing some favorite photos from our trip out West last fall. 

But before we head West, some photo-related news: Copies of my photo book, "Nature by Nan," are now available for purchase at Hit the Road Joe Coffee Cafe in Croton. The 8x8-inch hardcover book contains 20 of my photos of local flora and fauna.

Now, let's head out West!

On the last Wednesday of every month, I serve up a potpourri of advice, inspiration and other tidbits I've come across in recent weeks. This month -- this week, in fact -- finds us commemorating both Earth Day and Arbor Day. In the spirit of those two observances, here's a collection of quotes about nature and the planet on which we live.

As a bonus, I'm including at the end of this post, some of my favorite nature shots from our recent visit to the Southwest.

Love of wilderness is more than a hunger for what is always beyond reach; it is also an expression of loyalty to the earth which bore us and sustains us, the only home we shall ever know, the only paradise we ever need -- if only we had the eyes to see.
-- Edward Abbey

Find your place on the planet, dig in, and take responsibility from there.
​-- Gary Snyder

The Earth was small, light blue, and so touchingly alone, our home that must be defended like a holy relic. The Earth was absolutely round. I believe I never knew what the word round meant until I saw Earth from space.
-- Alexey Leonov, Russian cosmonaut

The universe is composed of subjects to be communed with, not objects to be exploited. Everything has its own voice. Thunder and lightning and stars and planets, flowers, birds, animals, trees -- all of these have voices, and they constitute a community of existence that is profoundly related.
​-- Thomas Berry

The earth is a living thing. Mountains speak, trees sing, lakes can think, pebbles have a soul, rocks have power.
-- Henry Crow Dog

When I get sick of what men do, I have only to walk a few steps in another direction to see what spiders do.  Or what weather does. This sustains me very well indeed.
-- E.B. White, One Man's Meat

Those who contemplate the beauty of the earth find reserves of strength that will endure as long as life lasts. There is symbolic as well as actual beauty in the migration of the birds, the ebb and flow of the tides, the folded bud ready for spring. There is something infinitely healing in the repeated refrains of nature -- the assurance that dawn comes after night, and spring after the winter.
​-- Rachel Carson

Nature repairs her ravages -- but not all. The uptorn trees are not rooted again; the parted hills are left scarred; if there is a new growth, the trees are not the same as the old, and the hills underneath their green vesture bear the marks of the past rending. To the eyes that have dwelt on the past, there is no thorough repair.
-- George Eliot, The Mill on the Floss

What is the use of a house if you  haven't got a tolerable planet to put it on?
-- Henry David Thoreau

Loyd: "It has to do with keeping things in balance . . . It's like the spirits have made a deal with us . . . The spirits have been good enough to let us live here and use the utilities, and we're saying: . . . We appreciate the rain, we appreciate the sun, we appreciate the deer we took . . . You've gone to a lot of trouble, and we'll try to be good guests."

Codi: "Like a note you'd send somebody after you stayed in their house?"

Loyd: "Exactly like that. 'Thanks for letting me sleep on your couch. I took some beer out of the refrigerator, and I broke a coffee cup. Sorry. I hope it wasn't your favorite one.' "
-- Barbara Kingsolver, ​Animal Dreams

And now, for a little more nature appreciation . . . 

​Sometimes the roads we travel take us back to crossroads that were pivotal in our past.  Sometimes they show us the way forward. 

​Both happened on our recent trip through the Southwest. Ray and I spent most of our time in the Tucson area, a place that has lingered, dreamlike, in a cranny of my memory for decades. Though I've made a couple of quick visits to Tucson in recent years, I hadn't spent any wandering-around time there since an unforgettable visit in my twenties. 

​It was 1976, and I was on a meandering road trip with my boyfriend. We'd driven from northern California to Los Angeles to visit his parents, then struck out across Arizona, New Mexico, and Texas before heading north to Oklahoma to see my family, venturing on to Kansas, and returning to California by way of Colorado. The stated purpose of the trip was to check out graduate schools in Arizona, Texas, and Kansas, but we planned the route to take in as many national parks, monuments and other nature-y points of interest as possible: Joshua Tree National Park, Organ Pipe Cactus National Monument, Saguaro National Park, Arizona-Sonora Desert Museum, Mount Lemmon, Chiricahua National Monument, Cave Creek Canyon, White Sands National Monument, Carlsbad Caverns National Park, Big Bend National Park, Oklahoma's Great Salt Plains State Park, Rocky Mountain National Park, Dinosaur National Monument. 

​We spent our days hiking through cactus forests, bizarre rock formations, lush oases, meadows and more, stopping to raise binoculars or crawl on the ground in search of unusual insects. The assortment of critters boggled my mind—from the javelina that trotted across our campsite to the jewel-like cuckoo wasps and furry velvet ants that flitted and scurried around us.

​We slept out in the open—no tent—where we could watch the moon and stars and hear the night creatures. (Lucky for us, it wasn't the height of monsoon season.) Enthralled with the writings of Carlos Castaneda, I saw our surroundings as steeped in mystical power. As I contemplated the future I was heading into, I was sure it would include frequent visits to these enchanted places—as a scientist studying the flora and fauna, but also as a spiritual seeker. 

​Somehow, life took me in other directions. Or I should say, I made decisions that took me in other directions. And though I often thought of those places and their hold on me, I never found my way back. Until last month.

​​On this latest trip, Ray and I trekked through some of the places that had made such an impression on me more than forty years ago: Saguaro National Park, the Desert Museum, and Chiricahua National Monument, in addition to visiting sites where neither of us had been before--Sabino Canyon and Bisbee, to name a couple. 

​I expected to be wowed again by the landscape, with its unique array of plants and animals, and I was. What I didn't expect was the flash flood of memories and emotions that swept through me. I remembered the connection I'd once felt to the desert and how firmly I'd believed it would be an ongoing part of my life. I thought about the decisions I'd made that took me away from that vision, the places I wound up instead, and how easy it is for years to slip by while you're thinking, "Someday, I'll . . . "

​My musings could have been an exercise in regret; instead I made a conscious decision to use those memories as a tool to explore my feelings about the paths I've traveled, where they've led me, and where I still want to go. (I'm not just talking about geography here, you understand.)

​Putting myself back in my twenty-seven-year-old mind, I asked myself what excited me about the prospects ahead. What did I value in my vision of the future? Returning to my sixty-nine-year-old mind, I asked myself how much of that excitement and those values I still possess—even though I took a different route to them—and what I might still make space for in my life.

​My conclusions: At twenty-six, I prized my freedom: freedom to explore whatever captured my interest, freedom to live where I wanted, freedom to spend my days doing something rewarding. I took it as a given that my explorations would keep me close to nature. That's the part I lost for a time, when I spent long days cooped up in an office, in a big city.

​Now I'm living a close-to-nature existence again—not in the desert, but in another place that teems with wildlife, wildflowers, and woods—and I have my freedom back. When I think about where I want to go next, it's out to discover more wondrous places, not just to see and photograph them (though you can bet I'll do that), but also to linger long enough to experience the mystery of these places and let my spirit connect with theirs. 

​​I'm a university scientist reaching the end of my career, and recently calculated that I've had 115 co-authors on research papers over a 45-year period. Clearly partnering with students and colleagues was a signature element of my research style, but my first experience collaborating was not auspicious, almost destroying a friendship and derailing my career before it really got started.

​​I filled the in-between times with a few weeks of warehouse work here and there, and a three-week stint as a substitute teacher for high school biology classes.

​Two years of this insecure work in varied underling capacities convinced me that I needed to go back to school if I was to ever rise above being someone else's assistant. I decided to pursue a Masters degree in marine biology, and enrolled in the Boston University Marine Program, based in Woods Hole.

​We talked often about science, and one day he pointed out a research opportunity we could collaborate on, probing whether hermit crabs could recognize each other as individuals. This was a hot topic at the time, inhabiting the border between animal behaviour and psychology. Many researchers were convinced that even lowly invertebrates could distinguish one individual from another, a remarkable cognitive feat if true.

​Stu and I designed an experiment to test whether hermit crabs recognized each other individually, or just recognized the general dominance state of the other crabs they encountered. We agreed that this would make an excellent thesis topic for me, and thought up a clever study in which we allowed crabs in small dishes to establish dominance orders, then switched individuals of equal dominance states.

​We reasoned that switching crabs of the same rank would heighten aggressive behaviors in the dishes if the crabs recognized each other as individuals, but there would be no increase in aggression if they only recognized their place in the hermit crab pecking order.

​I'm forever grateful to hermit crabs, and then to bees, the vehicles for teaching me that "ours" is a much richer word than "mine."

​​On average, a total eclipse is visible from any one spot on Earth about once every 375 years.  On August 21, a total solar eclipse cut a seventy-mile wide swath, coast-to-coast, stretching from Oregon to South Carolina. 

My husband, Mark, wanted to experience this event at a one-hundred-percent-totality site.  

​

Really? I thought. I''l just watch it at home in Michigan, even at an 82 percent totality. A road trip to the steamy south in August, for a more or less three-hour event and a little over two-minute viewing of totality? No way. Besides, August is my favorite summer month in Michigan.

​But Mark persisted, so I jumped on board. 

​We checked Internet maps. From our home in Newaygo, Michigan, one of the closest places for totality was Hopkinsville, Kentucky. The longest opportunity for totality occurred there: two minutes and forty seconds.    

​​The spiritual pilgrimage metaphor emerged when I began researching the eclipse online and looking for lodging. Webster defines "pilgrimage" as a special journey to a sacred site. This eclipse event had taken on epic proportions, engaging millions of people across the entire continent.  

Communities in the path of totality, large and small, were planning for a massive onslaught. Farms, parks, university campuses, libraries, city squares, rooftops, schools and neighborhoods were supplying public viewing areas or renting parking spaces. A few venues supplied safety glasses and porta-potties. Some communities generated live music and food booths, creating a festival flavor. Others organized drum and chant circles, creating an indigenous, sacred atmosphere.  

​A wide range of research would be conducted, from animal and insect responses to solving more mysteries about the sun.    

​In this time of excruciating polarities, of amplified splits in ideology and purpose, of divisiveness and hate in our nation, this magnificent natural phenomenon was unifying hearts and minds toward a common purpose. Something stirred inside me. I felt privileged that we could make this journey, that we could join with folks from across the United States and Canada. The more I read about the eclipse, the more I encouraged friends and family to experience this event, wherever they would be.  

​Locating ISO-certified glasses, safe for direct viewing of the sun, turned into a challenge. Many distributors had sold out. First I ordered glasses that I later learned were not certified safe after all. Last minute research revealed that our local Lowes store carried them, along with a great informational booklet, Get Eclipsed.  

​Pilgrimages do have rest stops. For two days, we connected with some of my cousins in southern Indiana and toured historical Vincennes. Then, the morning of the eclipse, we arose before dawn. Grabbing coffee from our Airbnb kitchen, we proceeded the two-and-a-half-hour drive to Hopkinsville. As we moved closer, traffic increased, but moved right along. Outside of Hopkinsville, we stopped for a quick breakfast at a Cracker Barrel. The busy restaurant buzzed with co-pilgrims and eclipse talk.     

​I began noticing license plates. We saw vehicles from Indiana, Wisconsin, Michigan, Ohio, Pennsylvania, Alaska, Minnesota and Ontario, Canada. We cranked the air conditioner to stave off the climbing heat index.  

​During our drive, I told my husband I would prefer to view this event in an open field. We had reserved a pre-paid parking spot on the campus of Murray State University, about which we knew little. I visualized being confined to a paved parking lot hotter than a pancake griddle. As the GPS directed us to our destination, we turned down a road flanked with soybean crops and hay fields. A few low-rise classroom and industrial buildings nestled between the fields. We swung into a parking area surrounded by a wide acreage of grassy commons dotted with trees. Ah--perfect.   

Sheltered in a small tent, a security man and a few student volunteers greeted us and took our e-tickets. "We are sold out," the security man told us.  

​Erected round the slowly-filling parking lot, on the grass and under trees, stood colorful shade umbrellas and tents. People, representing many ages and ethnicities, were assembling their lawn chairs, coolers and cold beverages. Realizing we forgot to bring a ground cover or chairs, we snatched our yoga mat and raincoats, some snacks and water, and secured a spot under a shade tree. Mark wasted no time getting horizontal for a nap. The thermometer registered ninety-four degrees, still climbing.  

I pulled on my sun hat and walked around the area, talking to people and snapping photos with my iPhone. A vigil this was, and we had arrived plenty early. I counted vehicles from at least ten different states. Some families sat around camp tables, playing games and cards. Children pranced around the grounds. I overheard two older elementary-age boys discussing how they got excused from school for the day. 

​

​All around the grounds stood cameras. High tech cameras mounted on tripods, lenses covered with dark film. Hand-made cardboard box cameras. People tried out their safety glasses, through which the sun became a dark orange circle against a black background.  ​

​​Noon. I joined Mark on our shady, makeshift ground cover. We ate a snack and gulped down water. I tested out my safety glasses. The sun was a complete, round, orange ball. I ducked back in the shade. Twelve fifteen. A tiny Pac-Man bite showed in the top right section of the sphere. Someone shouted, "It’s starting!" Over the next half hour, we kept checking. The Pac-Man effect increased and the air began cooling, even though the sun cast shadows. By twelve-forty or so, standing in the sun no longer felt intolerable. 

​By one p.m., the sun appeared as a slivered, orange crescent. One-fifteen. Like sentries on cue, several hundred people wrapped their eyes in safety glasses, bent their heads back, and stared skyward. ​

​Slowly, the orange crescent grew into a tiny chunk, almost disappearing into total black. Just seconds before the moon totally covered the sun, creating a black orb encircled by a ghostly white ring, a brilliant, diamond-like starburst of light shot out the top right section of the sphere. The moon slid into place. A magnificent ring of rays, sparkling like white flames, encircled the black orb. The corona!  

​"Ooh, look at that," I gasped. The crowd erupted with simultaneous clapping, cheers and whoops. I pulled off my safety glasses. We had two and a half minutes to look without them.   

​The light had muted to a dusky glow. "Look at the sunset all around us," Mark shouted. I turned, doing a 360. The entire horizon glowed in peach and mauve tones, outlining puffy cloud shapes. Streetlights blinked on in the distance. The air had cooled and birds stopped chirping. An eerie calm descended. Overhead, a few stars and a planet twinkled. I tilted my head back to look at the flaming white corona with my naked eyes. In that moment, all time and activity around me seemed suspended in total stillness and awe.   

​Then, slowly the diamond flashed on the left side of the black orb, and I secured my safety glasses. As the moon and sun moved away from each other, the white corona disappeared and a chunk of orange reappeared in reverse. First a sliver, then a slim crescent. Here and there, a bird chirped, like it was morning. The welcome coolness remained for a little while longer. 

​Later, heading north out of Kentucky, battling bumper-to-bumper traffic for five hours, with the sun radiating our heads through the car roof, despite air conditioning and guzzling mega cups of water, I barely had a brain to process this pilgrimage. Was the event sacred?  Did a message lie in this event and journey? 

Now, back home in Michigan, I have had time to reflect, time to ponder, and time to listen to others' stories about their experiences. I have concluded that this Total Eclipse Phenomenon could be viewed as bearing an opportunity. 

The eclipse brought people together. Whether viewed as a partial or total eclipse, people gathered in small and large groups to experience it. People set aside their differences, their divisiveness, to unify in enjoyment and appreciation of this event. It offered community building and celebration. It offered opportunity for research and deeper understanding of the natural world. Most important, it offered a magnified sense of wonder about our natural world.  It showed us the vital interconnections between all living things. Collectively, these dynamics made this event greater than sacred and needed medicine for our time as a nation.