The last installment of HeartWood—the story of a young writer’s devotion to his grandmother and her literary legacy—got me thinking about other stories of art and devotion, which took me back to a trip to Albuquerque three years ago.
Albuquerque, nearby Santa Fe, and their surroundings are spilling over with creative people whose devotion to their art is evident. Painters, sculptors, mosaic artists, multi-media creators, jewelry designers—they're everywhere, and so are the fruits of their talents.
Evident, too, are signs of a different kind of devotion: works of art inspired by spirituality and religious faith. I learned about one type of this art from two women I chanced to meet on a Sunday morning in Albuquerque's Old Town. Felis Armijo and Ramona Garcia-Lovato were sitting at a table in front of San Felipe de Neri Church, signing up volunteers to help with the upcoming Santero Market. Santeros (and santeras) are artisans who craft religious icons called santos. Originally created for churches, these statuettes of saints, angels, Mary and Jesus, usually carved from wood and often decorated with home-made pigments, are now sold to tourists.
My conversation with Felis and Ramona rambled from topic to topic, touching not only on art, but also on writing, life stories, geography, and human nature. From their curiosity and warmth, it was clear these two women were dedicated not just to the event they were promoting and the parish to which they belonged, but also to connecting with other people—an art in itself.
After our time in Old Town, Ray and I ventured out to Petroglyph National Monument, a short drive away. One of the largest petroglyph sites in North America, the monument features designs and symbols carved onto the surfaces of volcanic rocks by indigenous people and Spanish settlers 400 to 700 years ago. The site and its images still hold spiritual significance for the descendants of both groups of people.
The meanings of some symbols have been lost over the centuries; others are known by a few indigenous groups, but it is considered culturally insensitive to reveal the meaning of an image to others. For me, it's enough to know that the symbols meant something to the people who created them and to ponder the combination of location and inspiration that gave rise to their work.
Not all works of devotion have religious significance. They also can be inspired by a more secular kind of admiration. Case in point: my friend Larry Schulte, an artist who now lives in Albuquerque, created his own "Saints" series, featuring mortals who have made a difference in his life.
“I was raised in a fairly strict Roman Catholic home, and I left that faith many years ago—mostly because of their stance on gay people, that we were sinful,” Larry reflects. “These saints in some way replace the saints I learned about in my childhood . . . They are all loving, sharing people who have made my world a better place. We all need something to believe in. For me it is love, art/creating, and people, rather than any organized religion.”
Some of the fifteen mixed media pieces, which Larry created at the Ragdale Foundation, an artist's colony north of Chicago, feature well-known figures—such as the innovative composer Lou Harrison and Harrison's life partner Bill Colvig, an instrument builder who collaborated with Harrison on gamelans and other percussion instruments. But they also include more personal choices: Larry’s undergraduate art instructors, St. Jack and St. Keith, for instance.
“Jack was particularly influential in my pursuing art,” Larry recalls.
St. Elvira’s son Peter was Larry’s roommate and best friend during their days at the University of Kansas in the late 1970s to early 1980s. Elvira lived in New Jersey but had visited Peter and Larry in Kansas. “After I moved to New York City, she included me in holiday family gatherings when I wasn't able to get back to my own family in Nebraska. She adopted me as another son.”
In 2016, Larry and his partner Alan Zimmerman, a percussionist, traveled to San Francisco for a concert of Harrison's music to celebrate what would have been his 100th birthday. Two of Larry's art works (St. Lou and St. Bill) were exhibited at the concert, which was sponsored by the non-profit organization Other Minds.
In the last installment of HeartWood, I wrote about some of the ways I've been filling my unexpected free time during the weeks of social distancing and Stay Home - Stay Safe. In this installment, I'm giving other folks a chance to share what they've been doing. And what a variety of things they've come up with!
Check them out!
Written from the heart,
from the heart of the woods
Read the introduction to HeartWood here.
Nan Sanders Pokerwinski, a former journalist, writes memoir and personal essays, makes collages and likes to play outside. She lives in West Michigan with her husband, Ray.