While I'm taking a break for relaxation and recreation, I've invited some of my fellow writers and bloggers to fill in with guest posts. This week's is from my friend, neighbor and fellow Artworks Second Monday Writers member, Sally Kane. Recently, she and her husband Mark traveled to Kentucky to view the total solar eclipse. Here are Sally's thoughts about the experience.
A Total Eclipse Pilgrimage
Noon. I joined Mark on our shady, makeshift ground cover. We ate a snack and gulped down water. I tested out my safety glasses. The sun was a complete, round, orange ball. I ducked back in the shade. Twelve fifteen. A tiny Pac-Man bite showed in the top right section of the sphere. Someone shouted, "It’s starting!" Over the next half hour, we kept checking. The Pac-Man effect increased and the air began cooling, even though the sun cast shadows. By twelve-forty or so, standing in the sun no longer felt intolerable.
By one p.m., the sun appeared as a slivered, orange crescent. One-fifteen. Like sentries on cue, several hundred people wrapped their eyes in safety glasses, bent their heads back, and stared skyward.
One fine swath, only a 15-minute drive from our house, is the Michigan Nature Association's Newaygo Prairie Nature Sanctuary. I visited the site last Saturday with a group from the River City Wild Ones native plant organization. Led by Michigan Nature Association regional stewardship organizer John Bagley, we poked around the prairie for a couple of hours, admiring such late-summer bloomers as rough blazing star (Liatris aspera), gray goldenrod (Solidago nemoralis), fern-leaf false foxglove (Aureolaria pedicularia), prairie sunflower (Helianthus petiolaris) and cylindrical blazing star (Liatris cylindracea).
Before long, members realized they needed to do more, and the group began purchasing sensitive property to set aside as sanctuaries. Today, the organization maintains more than 170 sanctuaries throughout the state.
- Fern-leaf false foxglove, a bushy plant with bell-like, yellow flowers that are popular with pollinators, is semi-parasitic and needs oak trees to survive.
- Porcupine grass has a nifty way of getting its seeds into the ground. The long, bristle-like awn coils and uncoils in response to changes in moisture, drilling the seed into the ground.
- The small, white flowers of sweet everlasting (Pseudognaphalium obtusifolium), smell like maple syrup when crushed. Sweeeet, indeed!
Night before last, an eclectic group gathered in the basement of Artworks cultural center in Big Rapids. There was Chris, a dental hygienist; Théa, a former social worker; Sally, a retired educator; Susan, an artist who's, well, hard to sum up in a few words; and me. All brought together by our interest in writing—and in improving our writing.
That one suggestion you gave me last time has added two-thousand words to my document!
This did read much better for me, and now I have a clearer idea of the story. I'm more pulled in to what's happening.
There is a difference between a run-on sentence and a long sentence that moves the story along. I've read 93-word sentences that are absolutely amazing. If you were to break one of those up, it wouldn't work.
Ohhh, so I need to open the chapter with what the hell is going on!
I think you're nailing the struggle I've had all along with the voice I want to use to tell the story.
I didn't feel like I was reading this just for this group; I was reading because I enjoyed it.
In one form or another, the Artworks Second Monday Writers have been carrying on like this for a dozen years. Founded by poet and writer Phillip Sterling, the group originally focused on fiction. Later, under the guidance of writer-photographer-biologist Stephen Ross, and then with writer and all-around lovely person Mikki Garrels at the helm, the group expanded to include writers of both fiction and nonfiction.
Below, I'll share a few tips for writers' groups, in case you're thinking of starting one of your own (or already belong to one and need suggestions for making it work better).
I’m currently working on a horror/supernatural story. It involves Dhampirs hunting old school demonic beings, set in a dystopian future. I've worked in many different genres, including Sci-Fi, fantasy, non-fiction and poetry.
At the moment, I work as a dental hygienist in Lakeview Michigan.
I consider myself a skilled Hunter/Gatherer and resale shopping a blood sport. My work-in-progress, A Wilderness Guide to Resale Chic, is loaded with tips on how to sniff out treasure and navigate unpredictable resale terrain. Its message: You do not have to be born rich, win the lottery, or max out your credit cards to dress well and surround yourself with beautiful things.
My background as a Licensed Master Social Worker and Cognitive Therapist informs my approach; having grown up in Michigan’s Upper Peninsula gives me an edge. My adult years in Chicago supply field experience: true tales and insider information.
In addition to being a member of the writers group, I contribute to several Michigan newspapers and have been published in Michigan History magazine and Health and Safety magazine.
I live on the Muskegon River near Big Rapids.
I also write poetry, essays and non-fiction stories.
A retired early childhood educator and social worker, I also did Trager Bodywork and taught Movement Therapies for many years. In the mid-1980s, I lived and worked in Mexico and Central America with my husband, where I learned to speak and read some Spanish. In December 2016, I returned to Cuba, a trip that serendipitously coincided with the week of national mourning for Fidel Castro.
In addition to writing, my interests are travel and learning about history and culture, reading, drawing and outdoor activities that correlate with the seasons, all balanced with political activism. I delight in caring for and playing with my granddaughter.
Editor's note: Sally is also my neighbor and a member of the Monday morning yoga class and the Wander Women hiking group.
I write paranormal romance/humor, urban fantasy and horror for adults, new adults and young adults.
My current project is a young adult urban fantasy that I'm co-authoring with Christopher Rizzo. I will write a seventeen-year-old shapeshifter wolf who does not accept her role in the wolf pack. Christopher is writing an angel with faery blood who was sent to earth to earn his wings by saving the shifter.
Where I draw my characters from: I grew up in the streets of Bridgeport Connecticut, and that's where I got my education. By ten years old, I took care of my sister and brother and our four-room apartment while my mother worked two jobs. The city was a melting pot of good and evil, and by ten I knew it well, above and below ground, and was cold to its hardships. In my writing world, I weave reality with mythological creatures, fantasy, folklore, legend, and a fair share of humor, because without humor there is no sanity.
What makes me smile: Walking in the woods, rainy days, and listing to the coyote at night. My art—watercolor, acrylics, book-cover and marketing graphics, stained glass. Listening to classic rock and writing.
You can find me and my books here:
- Start small and build gradually. It's more productive to create a solid core of writers who work well together than to fill seats.
- Commit. Show up for meetings and do your homework, allotting plenty of time to read and provide thoughtful critiques of other members' writing.
- Have a plan for lulls. There may be times when no one has anything ready to submit. Instead of cancelling the meeting, use the time to share tips, discuss a writing book, exchange information about workshops or play with writing prompts.
- In critiquing, look at big-picture issues such as plot, character development, dialogue, voice and pacing, but note smaller problems, too, especially if the same problems crop up frequently in a writer's work.
- Mind your manners. Present your comments respectfully and listen to others' comments on your work with an open attitude. Try not to interrupt, defend or argue.
- Begin and end on a positive note. Even the most leaden piece of writing probably has some shiny parts. Starting your critique with a positive remark puts the writer at ease, and ending with encouragement softens the blow of tougher comments.
- For many more excellent suggestions on starting and sustaining a writers group, with details on how to give and receive critiques on all sorts of writing, see The Writing & Critique Group Survival Guide, by Becky Levine, from which these tips were adapted.
Now in its 25th year, Creekfest is a reunion of "kin," who may or may not be related in a strict genetic sense, but who all share genes for enjoyment of good music, good food and good times.
Held on Paul and Valerie's wooded property on Coolbough Creek, the event goes on for a full weekend, with many of the 150-200 or so attendees camping on the premises.
Things get rolling Friday evening, when local chef Tracy Murrell offers Thai specialties. Music and merriment typically follow.
Part of the fun is just taking in the setting. The "cabin," its additions and outbuildings have been constructed over the years with the help of friends. And everywhere you look are Paul and Valerie's creative touches, from Paul's metal sculptures to Valerie's moss gardens, to various intriguing objets d'art placed here and there. You could wander around for days and still not see everything.
Still more music followed, and went on until the early morning hours, long after we'd gone home to bed. We would've stayed longer, but Ray had another festive event to attend the next day—a car show in New Hudson—and he wanted to be up by 4 a.m., about the time things wound down at Creekfest.
"For one reason or another, each Creekfest is the best ever," she says. "Sometimes I've had to stretch a bit to say that, but each year has its best-ever moments, this year included."
"The music, the kids, our kinship and love, the camaraderie. Even the dogs keep things fun and lively."
All things considered, though, this year was the best ever. And next year? Better still.
"No matter how I feel when I wake up on a Monday morning," I wrote, "I'm always uplifted and ready to take on the world (or at least my small part of it) after that session of physical, spiritual and social activity."
My yoga-mates were all just as appreciative. "Her classes helped change my body from pain to gain," says Sue Schneider, who knew our teacher through Ellie's work with animal communication and essential oils before joining Ellie's yoga class.
"Ellie's yoga was holistic like no other yoga I've experienced," adds class member Marsha Reeves, who's going on four years with the group. "She connected with our minds, bodies and spirits with loving kindness and helped us grow and learn in all those dimensions."
"It felt so good to be—and practice—in Ellie's space, with her gardens in viewing distance," says Valerie Deur, who's been practicing with the group since it began, around 15 years ago. "Being there helped me heal."
"Helping to prepare that space was an opportunity that helped us get ready for yet another change," reflects Sue. And working together on the rooms "helped us to bond even more," adds Brenda.
Announcing the new studio in an email, Kathy wrote, "Though Ellie has passed, this place continues Ellie's work as well as mine." The photo she included with the announcement showed a shimmery presence that inspired the studio's name. "Both the land and the studio are special and have a close connection with all of nature," Kathy wrote. "The fairy folk were here before me . . . Hence, the beautiful space within my home where I will teach and host a variety of uplifting opportunities has been named Fae Wood Studio."
At the front of the room, on a low table brought from Ellie's studio, sat a candle, crystals, flowers, a photo of Ellie and a statue of Lakshmi, an archetype who represents abundance.
Before we began practicing, Behnje talked about bodha—awareness—not as a state of superior enlightenment to be attained, but as an everyday practice, becoming more aware of ourselves and the world around us.
As the initial shock wore off, our conversations turned from what we should have done to what we still could do. Was it too late to rescue the shop? If not, how could we do it? Most of us were still thinking in terms of buying more books—maybe even pledging to purchase a certain number a month.
John Reeves had a bigger idea: buy the whole, honkin' store.
He paid a visit to owner Gabe Konrad, who told him recent life changes had prompted the decision to close the brick-and-mortar store and concentrate on his mail-order book business. The two men kicked around some numbers, and John left, excited with the idea of recruiting friends to go in together on the store.
"It turned out only one was interested," John says. So John, his wife Marsha and the friend pooled their money, and Flying Bear Books was born.
"We put out the word that we could use any help we could get, and people showed up weekend after weekend," says Marsha. "It was so heartwarming. I just felt embraced by the community."
Two helpers, Rod Geers and MaryAnn Tazelaar, stayed on to work part time. Other friends have volunteered to pitch in when John and Marsha go on vacation.
The strategy pays off in sales, he adds. For example, "one young lady in her twenties came in looking for books on how to survey land. It turned out we had four books on surveying. She bought three."
The Reeveses did move the military section from the front of the store to the center "to soften the entry," says John. They also hope to increase the indigenous section, with a special sub-section for Anishinaabe literature.
Also new: The store now offers cookies from River Stop Café and organic fruit for purchase. Customers are welcome to a glass of filtered water from the pitcher near the checkout area, and store staff will fill their water bottles for free. Jewelry and wall art by local mixed media artist Kendra McKimmy are available for sale, and work by other artists will be added eventually.
All of which makes it clear this undertaking is not just a business proposition to its new owners.
For Marsha, holistic nurse with an interest in all aspects of healing, changing the store's layout and getting it working in a different way was "a form of healing." And, she adds, "I know that there's healing that goes along with learning, and there are a lot of opportunities for people to learn here."
What's more, owning the bookstore is just plain fun—way more than John and Marsha expected. "Every day, John comes home with a story about something funny or about helping a kid who came in with a cool question," says Marsha. "It's really a delight."
Bay Leaf Books still operates as an online bookseller. Visit here.
Sunshine smiled on the Enchanted Forest, AKA Camp Newaygo, for at least part of last Saturday, but Sunday's downpours had fairy-folk scrambling to take shelter under toadstools. No worries, though. Quick-thinking Camp Newaygo staffers whisked gnome homes and pixie palaces out of the wet woods and into drier hiding places, where twinkly lights made fairy-house hunting just as enchanting.
The occasion was the two-day Enchanted Forest walk, a fundraiser for the independent not-for-profit camp located on 104 acres along a chain of lakes in the Manistee National Forest region of mid-western Michigan.
Last year's Enchanted Forest event was a great success, and this year's appeal to artists and craftspeople to create and donate fairy houses again yielded a fanciful assortment of tiny abodes—forty-seven in all.
It's always fun to see what imaginative people use to craft these dwellings: tree stumps, gourds, clay, copper wire, twigs, feathers, tin cans. One of this year's creations was made from a cowgirl's boot. Another had a hornet's nest worked into the design.
Ray and I got a close look at many of them when we helped hide the homes in the woods and along the Wetland Trail early Saturday morning. Then, as visitors began arriving and heading out with trail maps, we made the rounds again to watch them discover the little houses.
If you missed out on the enchantment—or if you'd like a chance to relive it--here's a look at more of the fairy houses and the weekend's fun. And if you'd like a fairy house for your very own, all the houses pictured here--and more--are available for purchase on ebay through May 8. Proceeds help fund the camp's youth and family programs as well as renovations to facilities such as the Foster Arts and Crafts Lodge.
FAIRYLAND, Newaygo County (March 1, 2017)—In spite of last year's housing boom in the Enchanted Forest (also known as Camp Newaygo), officials report a serious shortage of sprite-sized housing.
"Thanks to the artistry of local supporters, the fairy homes that sprang up in our forest last year were so attractive, they were all immediately occupied by pixies, gnomes, sylphs and all manner of tiny creatures," says Elvira Elf, housing coordinator. "We’re expecting an influx of fairy folk soon, as they return from their winter homes down South. We're asking everyone to pitch in again to create a forest full of houses to welcome them back."
Bet you can't ignore it either! So start gathering twigs, moss, stones and anything else that strikes your fancy, and get busy creating. Houses are due April 15 (you can drop them off at Camp Newaygo or call 231-652-1184 to schedule a pick up). Guidelines are listed below.
The fairy houses, gnome homes, pixie palaces and elfin abodes will be hidden in the forest surrounding the camp, and during the Enchanted Forest Event, April 29 and 30, visitors can wander the woods with a trail map, searching for the houses and trying to spot their secretive inhabitants.
As you're searching for inspiration, keep this in mind: proceeds will support improvements to the camp's Foster Arts and Crafts Lodge, where generations of campers have explored painting, pottery, dark room photography, nature crafts, jewelry making, tie dye design, wood burning and other activities. Built in 1949, the crafts lodge was no longer adequate for the camp's growing number of campers and community programs, and the upgrades—underway during the past year—are making it more functional while enhancing its original charm.
Camp Newaygo is an independent, not-for-profit camp located on 104 acres along a chain of lakes in the Manistee National Forest region of mid-western Michigan. In addition to offering a girls' residential summer camp and a coed day camp, the camp provides year-round community events: dinners, girlfriend getaways, winter sleigh rides and more.
Last year, organizers hoped the first Enchanted Forest event would bring in twenty-five to thirty little dwellings. They received forty-two houses, and a total of 627 visitors toured the forest over the two days.
- Use a sturdy base for the home or garden
- Make sure the structure is easily moveable
- Houses should be weather-resistant—they will be outside
- Make the house kid-friendly. Young visitors like to touch, so make sure decorations are secure.
- Don't hesitate to put something inside to see.
- Houses are due by April 15.
What do farming and art have in common? A lot more than you might think, say Mike and Amanda Jones of Maple Moon Farm in Shelby, Michigan. To underscore the connection, they're sponsoring a FEED THE STARVING ARTIST contest with the theme, "Local Food and Local Farms" and a prize of a $250 gift card to the farm.
Entries of all sorts are welcome, she adds. "When someone is practicing something from the heart and really putting an element of themselves into what they create, we view that as being an artisan. We wanted to leave the definition broad to be as inclusive as possible." The only criterion is that all works should be related in some way to the theme of local food and local farms.
"The winning piece, we will keep in exchange for the gift certificate," says Amanda. Other entries should be picked up at the market after results are announced on the 11th.
Love is a big part of Mike and Amanda's approach to farming, says Mike, who grew up in Newaygo County family that gardened and raised animals. "We believe growing plants is an art form more than a job. We treat every plant with respect to get the best-quality produce . . . Everybody talks about their grandparents' garden and how they raised the best-tasting tomatoes. There's a reason for that: the plants were getting all the love and attention they had. When you're putting that kind of attention into the food, you get the best quality."
Maple Moon has used organic growing practices from the beginning and is currently certified organic. Though the farm's output has grown in the seven years since its beginning, Mike and Amanda want to keep it small enough that they can still be hands-on, rather than hiring other people to do the work.
"If we stay small, we can have more control over how plants are loved," Mike says. "Our primary goal is to grow things that taste the best."
The Joneses grow "most vegetables you can think of," including "lots of heirloom tomatoes," but specialize in greens and herbs, both culinary and medicinal, says Amanda, who grew up in suburban Detroit, but took an interest in food and farming in her late teens. She arranged to work for six weeks on Nothing But Nature farm in Ohio and ended up staying more than three years.
Consumer interest in organic and locally-produced and foods is on the rise, but with those foods increasingly available in supermarkets, many shoppers don't visit farmers markets. Amanda wants to remind them there are still good reasons to buy directly from growers.
"You're not only getting fresher food, but you're also creating a relationship with the person," she says. "I know our food has to be good and clean, because I know the people who are going to use it. I see their children. I've watched babies grow up on the food. Sometimes when I'm out in the field, harvesting or working on a crop, I think of the people who come to the market who love it. That creates better connections and better health for everyone involved."
Maple Moon Farm is located at 1224 S. 144th St., Shelby, Michigan. Phone: 231-861-2535
by Colleen Newvine
I love hosting parties, from intimate dinner parties to jam-packed cocktail parties. When people come to our parties, they sometimes say wistfully, "You’re so good at this. I wish I knew how to throw a party like this."
Become a regular at a bar or coffee shop near you
Ray Oldenburg wrote a book called The Great Good Place in 1989 that spoke of the "third place"—someplace that's not home and not work, but another spot where you connect with your community. Going to your third place isn't just about scheduling a date to meet people you already know but about chatting with whoever’s there.
The development of the individual depends on meeting people from different walks of life, and getting to know them. That’s good for the individual, and it’s good for the community. Coffee shops are great, and bars are great — they offer an edge because of what you consume, and you can relax and warm up to other people.
- We went to several places in our neighborhood early in the evening on weeknights
- We sat at the bar and talked with bartenders, asking them what they like to make and what’s good on the menu
- When we found a bartender we liked, we'd ask his or her name and when he or she works. For us, a good bar experience is about how we’re treated and that varies greatly from person to person so we don’t just go to a place, we seek out an individual who gives us a good experience.
I once read about two moms who swapped helping each other clean. They'd both spend an hour cleaning one family's house, talking as they did it, then they'd switch to the other house. It turned a grudge task into bonding time.
I hear a lot of people, especially in go-go-go New York City, saying they just don’t have time to socialize. They work long hours, wrapped in a long commute on each side, then maybe they have the demands of parenting waiting at home.
from the heart of the woods
Nan Sanders Pokerwinski, a former journalist, writes memoir and personal essays, makes collages and likes to play outside. She lives in West Michigan with her husband, Ray.
Last Wednesday Wisdom